Adad Hannah: Social Distancing Portraits
On March 14, 2020, Adad Hannah grew frustrated with a creeping sense of paralysis from social isolation as he sat at home, surrounded by a constant stream of news stories. Inspired, he went out into the world with camera and telephoto lens in hand. From a distance of at least five meters from each subject, Hannah began to produce the Social Distancing Portraits, a series that now includes more than 200 videos. Through the series, we can map time from our own perspectives as complete isolation slowly gives way to cautious public outings, leading to the agency and action of anti-racism and police reform movements. Hannah’s project creates a collective portrait at a pivotal historical moment.
This exhibition is presented alongside Adad Hannah: Glints and Reflections.
About the artist:
Adad Hannah (1971–) was born in New York and spent his childhood in Israel and England before settling in Vancouver via Montréal. He now lives in Vancouver. Hannah holds a PhD and a Masters in Fine Art from Concordia University (Montréal), and a Bachelor of Fine Arts from Emily Carr College of Art & Design (Vancouver). He also received a mentorship from video artist Ruby Truly (Vancouver).
He is particularly interested in performance, the movement of bodies through space, and the complex relationship between photography and video. His work intends to create a dialogue with communities and to address the role of art in society. His innovative projects continue to resonate throughout the art world, and have resulted in numerous commissions from museums and institutions (Canada, South Korea, Czech Republic, Chile, Mexico, United States, Israel, Australia, Romania, Great Britain) who now count his work as part of their collections. His national and international reputation has won him several prestigious grants and prizes, most notably the Victor Martyn Lynch-Staunton Award from the Canada Council for the Arts. Adad Hannah is represented by Pierre-François Ouellette art contemporain (Montréal–Toronto) and Equinox Gallery (Vancouver).
Produce, reproduce and re-produce. These three words synthesize Adad Hannah’s practice, both in terms of the mediums he uses as well as his subject matter. He combines photography and video to create a new mode of expression through his “stills”. These almost-still videos are recorded by placing a video camera on a tripod within a theatrical installation. The models in the work hold a single pose for several minutes, becoming suspended in time – a “still life” that he videos and photographs from multiple angles. Each photograph and video shows a specific angle into the original scene, each shift presents a re-interpretation of the initial subject. This quoting and requoting is an integral part of his artistic process.
Image Credit: Adad Hannah, still image from Social Distancing Video Portrait 18 (detail), 22 March 2020. Courtesy of the artist.