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Ice Flows and Sound Retreats: Jan Kabatoff
December 18 – March 21, 2010
Level 3

Water and ice have been recurring themes in the work of Canadian artist Jan Kabatoff. Most recently, the world’s glaciers have been her source of fascination, reflecting deep concerns with change, transformation and the interconnectedness of the natural world.

Since 2005, Kabatoff journeyed to seven different glaciers from Alberta to Mongolia to the southernmost reaches of South America, charting their ephemeral nature as global warming accelerates their melting. Ice Flows and Sound Retreats is a multi-media installation combining painting, mould impressions, hand-dyed textiles, photography and sound recordings of glacial ‘voices’; an experience linking science and human wonder with a shared, growing concern.  This exhibition is curated by Bruce Johnson.


Image: Perito Moreno Glacier (2009),
digital photomerge, Jan Kabatoff

Dark Horse: Greg Bennett
December 18 – March 21, 2010
Level 3

In this new body of work, St. John’s artist Greg Bennett explores the imagery and symbolic value of horses. Bennett’s paintings -full of doubled and mirrored images, overlapping planes and repeating motifs- offer surfaces where the material and the dreamlike meet.

Greg Bennett is the latest artist-in-residence participating in The Rooms’ Space-Based program. This initiative supports emerging and mid-career artists in the creation of new work within our on-site studio. This exhibition is curated by Bruce Johnson.


Image: Moly Eyed Dream
, oil on canvas, Greg Bennett

Artist Talk on Dark Horse: Greg Bennett Wednesday, February 17, 7 - 8 pm
Join artist Greg Bennett as he discusses his new exhibition Dark Horse: Greg Bennett currently on view at The Rooms. Greg Bennett is the latest artist-in-residence participating in The Rooms¿ Space-Based program.
 

On Ice: Tara Bryan
April 1 - August 15
Level 3

As a participant in The Rooms’ Space-Based Program, Tara Bryan explores the form and allure of icebergs in this new series of large mixed-media canvases, projections and molded paper sculpture.
 

Provincial Arts and Letters Awards
April 6 – 18
Level 3

Since 1952 this annual competition has afforded a special opportunity for writers, composers and visual artists to showcase their talents through a variety of media. The Rooms is pleased to present work by the winners of the visual art section of the competition, alongside those designated honorable mentions or works of merit.
 

Edward Burtynsky: Oil - Canadian Premiere
May 7 – August 15
Level 3

Oil
explores one of the most important subjects of our time by one of the most respected and recognized contemporary photographers in the world. Edward Burtynsky has travelled internationally to chronicle the production, distribution, and use of this critical fuel. In addition to revealing the rarely-seen mechanics of its manufacture, Burtynsky photographs the effects of oil on our lives, depicting landscapes altered by its extraction from the earth and by the cities and suburban sprawl generated around its use. He also addresses the coming "end of oil," as we confront its rising cost and dwindling availability.


Image: Edward Burtynsky, Alberta Oil Sands #6, Fort McMurray Alberta, Canada, 2007. Chromogenic color print. Photograph © Edward Burtynsky, courtesy Nicholas Metivier Gallery, Toronto; Hasted Hunt Kraeutler, New York; and Adamson Gallery, Washington, DC
.

Edward Burtynsky: Oil is made possible with the generous support of Scotiabank Group. This exhibition is organized by the Corcoran Gallery of Art, Washington, D.C.

Shorelines
May 27 – September 26
Level 4

Angela Antle, Pierre Leblanc and Anne Troake (Canada); and Slavek Kwi, Anthony Kelly and David Stalling (Ireland) have created artwork in response to visits to the Port au Port Peninsula, Newfoundland and Valentia Island, Ireland. Their moving image, photo-installation and sound works function as metaphors for change. Shorelines is organized through Sir Wilfred Grenfell College Art Gallery and curated by Charlotte Jones and Sean McCrum.


Unrequited Death: Helen Gregory
December 4 -
May 16, 2010

The work of Helen Gregory ponders the boundaries of transience and permanence, nature and culture. The artist’s ongoing investigation of the act of collecting by focusing on organic forms such as skulls, bones, desiccated birds and dead flowers has resulted in a body of work that is simultaneously dramatic, haunting, macabre, beautiful and ostentatious. This exhibition is curated by Lisa Moore


Credit: Helen Gregory, Lament II, Acrylic on canvas, 2006.

 

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